Comic book sound effects were incorporated into shots and comic panels made out of webbing show montages and background action.īut animation allowed the team to break physics. Single “comic book” panel frame holds were cut into sequences. When we make Spider-Man in live action, it’s hard to put Spider-Man in these fantastic comic book poses because we had to deal with the world real physics. It led us to frame modulation to get this slick, crispy version of pop art. To deliver the best representation of comic books brought to animated life, we had to break and overhaul our way of looking at things. Josh Beveridge, Head of Character Animation At Imageworks, we have an amazing robust pipeline, and I think we have forever altered our pipeline thanks to this project." "Our big challenge was creating that balance between being cartoony and realistic.
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